neonchameleon

In recent days, my numerous activities have been interspersed with a few cultural events worthy of mentioning. The first was a special nineteen-part concert, "Songs of Peace and Remembrance: 80 Years On" at the Melbourne Recital Centre from the Shenyang Conservatory of Music, which was nothing short of phenomenal; the erhu solo, "Soul of the Snowy Mountain" was especially captivating. As part of a national tour, the concert was built on the theme of Chinese resistance to the invasion from the Empire of Japan, and the end of the world anti-fascist war. At the reception before the concert, the former President of the Legislative Council, Bruce Atkinson, made the insightful point that the Second World War really started in 1931, with the invasion of Manchuria.

The second event was attending the Conquest Market Day at the ever-beautiful Coburg Town Hall, staffing the RPG Review Cooperative stall's fine collection of second-hand RPG systems from members. I am very thankful for the assistance provided by Andrew D., in delivering the goods, the stunning generosity of Rade V., in providing me a copy of the "Arkham Horror RPG: Hungering Abyss", and the ever delightful opportunity to spend time in the company of Liz B., and Karl B., and, of course, the many people who visited the staff, rummaged, reminisced and explored through our often curious stock. On a related note, this Wednesday I'll be starting up a new RPG story using the ElfQuest RPG and setting, from the comics (running since 1978!) by Wendy and Richard Pini.

The third event was the University of Melbourne Symphony Orchestra performance at Hamer Hall, of "Four Sea Interludes" by Benjamin Britten, Debussy's "La Mer", and finally, Modest Mussorgsky', "Pictures at an Exhibition", which was the main feature of the performance unsurprising as it correlates with a superb narrative, where the movements are quite independent but flow in sequence in a manner that seems perfectly natural. Following both romantic and impressionist styles, with British, French, and Russian thematic content, the performance was provided with a great sense of competence and creativity. The cultural diversity of the orchestra and the vast audience juxtaposed quite strikingly with a handful of boorish anti-immigration protesters who threatened an attendee just before the concert started.

On that note, significant discussion has been made of the "March for Australia" anti-immigration protests that were held over the weekend. Nominally, they argue that migration in a time of housing costs and unemployment is a problem. Factually, the protests are incorrect - net migration (the metric that really matters) is quite low compared to the 20-year average, but of course facts are quite irrelevant to the violent "white nationalists" who are organising these events. Given that more than 97% of Australians come from a migrant background (and needless to say, they don't like indigenous Australians either), it should be clear that we are enriched culturally and economically by our diverse migrant populations, and we have become more capable of a moral universalism as well. The overwhelming majority understands and embraces our diversity, but we must be aware that extremists are in our country, and they are organised, and therefore, we need to be organised against them.